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The complete hardcopy manuscript of Rock Prophecy - the Hendrix/asteroid/Microsoft connection - was recently printed out.

A timely prophecy remains hidden within the writings of Jimi Hendrix. In 1993, while working for Harper Collins on the book Cherokee Mist - the Lost Writings of Jimi Hendrix, I grasped the vision that this shaman seer was racing to communicate at the time of his death in 1970. In the spring of 1995 I sent a hardcopy draft of the story to the Library of Congress for copyright. The manuscript is titled Rock Prophecy, it is the original trigger for an avalanche of asteroid stories in recent media.

Microsoft co-founder Paul Allen, the third wealthiest American, was seeking to acquire rights to the Hendrix legacy for his [$240] million Hendrix Museum in Seattle. In 1993 Mr. Allen loaned the Hendrix family $5 million to finance a lawsuit which resulted in the closing of the Hendrix production company in Hollywood. For seven years I had been employed by Jimi's production company as their writer and consultant. My unusual stories, which are included as 28-page booklets in many official Hendrix CDs published by MCA, Warner Bros., and Polydor, are well known to an international audience of several million people. I am the author of many other non-Hendrix publications, including Atlantic Record's 1994 Woodstock Diary CD booklet and a dozen cover stories in national magazines.

I was responsible for initiating and developing projects and products which became some of the most celebrated successes of the Hendrix legacy, and I was in line to become the next Creative Director of the Hendrix production company in Hollywood. My position allowed me to orchestrate, for Paul Allen's Hendrix museum in Seattle, the purchase, from my contacts, of several of the world's most excellent collections of Hendrix items. Nearly a half million dollars was paid for this material by Mr. Allen's museum. The collections now comprise the core data base about Jimi that resides at Mr. Allen's "Hendrix museum" in Seattle.

But then the lawsuit from the Hendrix family against officials at their Hollywood production company, a lawsuit financed by Mr. Allen, resulted in closing the Hollywood company. My job was gone, and my opportunity to be Creative Director of Jimi's estate was toppled. I was left unemployed, no severence pay. And Paul Allen's Seattle museum refused to compensate me for my efforts which connected his museum up with a world class Hendrix collection. [The EMP's treatment of me is a case of discrimination based on same-sex-attraction - hatred for nature's "herd thinners."]

I had done only unusual good for all of these people, yet from their actions my seven year career of incredible successes was destroyed. And all the while I was the only one who understood the Prophecy.

At the height of the highly publicized lawsuit proceedings in 1995 I wrote the story of Jimi's prediction of an asteroid on course to impact Earth. At the same time one of my articles was published and it describes why my unpublished writings, registered and stored at the Library of Congress, are being monitored by interested parties. Did representatives of Paul Allen's Hendrix museum see Rock Prophecy at the LOC in the spring of 1995? Within five months of my manuscript's copyright the media began churning out dramatic asteroid stories. An escalating frenzy of reports, in all major media throughout 1996, climaxed in 1997 with several feature films, documentaries, and an NBC-TV mini-series. In July 1996 NBC teamed up with Paul Allen's Microsoft to launch MSNBC. Subsequently NBC became particularly "hot" on the topic of rocks from space, as if mogul orders had decreed, "Do up the asteroid story - Big Time!"

The Microsoft connection is, however, but a sliver within Rock Prophecy, just a small part. And the full story cannot be described as a "Hendrix book." Analysis of Jimi's prediction is but a third of the book. Hendrix is presented as an authentic Afro American Cherokee seer, the World Shaman who glimpsed a trajectory of extraterrestrial events already in place during his lifetime. He was racing to communicate his vision in a screenplay he composed titled Moondust.

Rock Prophecy is the story of how the dominators have silenced the seers throughout the ages and "retarded history" by impeding humanity's advance towards anti-asteroid technology. We are today at a technological state which should have been realized several millennia ago. The slim window (in geologic time) which exists between major impacts is due to close. Rock Prophecy will remain as the explanation of what happened. And like the suppressed gnostic gospels, this book will surface during a future civilization on the other side of the coming dark ages of the Hendrix Millennium, to be dug out from under the rubble of an (avoidably) smashed planet, like the new Nag Hammadi library. This is a book which today's dominators are most concerned to obstruct and crush.

Rock Prophecy explains the biological base of our human tragedy, the struggle of one sex to dominate the other, a conflict which thwarted the collective effort necessary for our civilization's survival. The Prophecy centers on sexual tensions behind world religions, a collision of myths for which Hendrix is figurehead. The origins and function of homosexuality are finally revealed - nature's "avert-a-birth" herd thinners.

Rock Prophecy proclaims the start of the first century of the Uncommon Era as the moment when, simultaneously, the Ultra Secret Enigma code of the Nazis was broken at the moment Jimi was born. The tide of war turned in favor of the Allies. Dominator culture shriveled in the presence of Hendrix and then reasserted itself in the circumstances of his death. Thirty years later it is up to me to leave behind the persecuted manuscript, like a reenactment of the writings of Paul three decades after the Crucifixion. There are two crucial differences: 1) dozens of my unique stories are familiar to millions of people who own the MCA, Warner Bros. and Polydor publications, and 2) the Internet.

It is critical to Paul Allen that Microsoft controls the Internet. Rock Prophecy draws parallels between the Seattle billionaire and the Emperor Constantine. Like the Roman dominator, Mr. Allen seeks to co-opt and re-write a theology, complete with gaudy cathedrals in the prophet's hometown. Whereas the ancient gnostics buried their texts in the desert, I have dug out a website to eject Rock Prophecy into cyberspace for preservation. The struggle between good and evil today comes down to whether or not the Justice Department can prevent Microsoft dominators from controlling the Internet and obstructing the circulation of Rock Prophecy.